Belle Haven, Perth Pewter started as a sub-division of Superior Models in 1975. Many of the figures from Superior's ranges were released from Perth Pewter in the form of pewter collectibles, such as the 1989 Belle Haven Starfleet Wars Collection.
John Carter started his Company around 1973 called, Superior Models Inc. It was mainly a Hobby Company, making Models of World War II submarines and surface ships. He also did quite a bit of contract work for other companies. Then in 1975, when Pewter was becoming quite popular, he started a sub-division of Superior Models Inc. called, Perth Pewter Designs and Collectibles. In the beginning, most of the Perth Pewter Designs were created by the Artist James Lane Casey, Ron Spicer, Ray Lamb, and John Dennett.
Since Perth Pewter was originally a sub-division of Superior Models, Some of the items will have the Superior Models Logo along with the artist signature on the bottom of the item, while other items will have the Perth Pewter Logo along with the artist signature on the bottom. Some items will even have both the Superior Models and the Perth Pewter Logo on the bottom. The Original Owner, John Carter, did not find it necessary to immediately change the Logo from Superior Models, on the bottom of the items, over to Perth Pewter, even though he was selling the items under the Perth Pewter Name. Nor did he change some of the items from Superior Models over to Perth Pewter on the bottom of the Item. So, even though some of the items may say Superior Models on the bottom, they are very much authentic Perth Pewter Items and signed by the artist that created the design.
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History of Pewter
Early pewter Much of this has been excavated or found in rivers and other waterways and as such often has archaeological interest. Items are however, rare and are correspondingly more difficult to find. All depends on the individual collector, his or her interests, persistence and especially pocket! 1600-1800 The early part of this period is described as the Golden Age for pewter manufacture, a time when even grand houses used pewter as well as silver for domestic use and a time which preceded the introduction of mass-produced ceramic wares, which ultimately replaced pewter, especially plates and drinking vessels. Items from this period are obviously much rarer than those from the 19th century. At the bottom end of the market, damaged and worn pewterwares were often melted down and the metal re-used. Changes in standards for liquid measures also made items redundant and if they could not be modified, these were also abandoned or destroyed. Nevertheless, there are many superb pieces still around from this era and most collectors will soon strive to acquire examples. Sadware – plates, dishes and chargers – are the most plentiful and these often have clear and interesting makers’ and other marks. N.B. It is common nowadays for what is described here as ‘sadware’, to be referred to as ‘flatware’, although the latter more properly refers to forks, spoons, etc. Along with ‘hollowware’ for mugs, cups, flagons, etc., both terms are understood.
19th Century It is from this century that most budding enthusiasts will start their collection and many will not venture much further because of the varied subject matter and the ready availability of items. Pub tankards, mugs and measures were made all over the country in the 19th century: although mass-produced crockery had largely taken over from metal plates and dishes, glass had not yet done the same for drinking vessels. Hollow-ware comes in a variety of styles and the collector can amass a fascinating collection based on body shapes, handle designs and marks. Many mugs and beakers are also inscribed on the base or the body with the name of the pub or hotel where the item was used and often with the name or initials of the publican. This can be the start of a spin-off activity for collectors as they travel around to see if the pub still exists and research its history. Of course, there were other items associated with this industry too – funnels, drainers, coasters, etc., all of which can still be found. Domestic items were made from pewter too and the Victorians had a love of ornate forms which translated well into tablewares. Of course, silver was still the choice of the wealthy but the advent of Britannia metal, a form of pewter which could be worked on an industrial scale in the new factories and which could also be plated, meant that silver forms could be copied and the emerging middle and artisan classes could share in the new fashions. Sheffield became a centre for the production of these wares and the mark EPBM for electro-plated Britannia metal is often found on the bases of teapots, jugs, etc. The new collector has a wealth of tea and coffee pots and associated wares to choose from with an excellent reference book Pewter Wares from Sheffield by Jack Scott (out of print, but can be found). Other centres of mass production were Birmingham and London Candlesticks were made by many 19th century manufacturers and are a popular item for collectors. Although early forms are the most desirable, they are also rare and hugely expensive, making these later versions more desirable. There are lots of other Sheffield-made pieces to collect, from tobacco jars to snuff and vesta boxes, pin-cushions to thimbles, vases, shaving mugs, cruets, ink-stands and even church flagons.
20th Century There are lots of examples of pewter wares from this period around. Few families have not had in their cupboards at one time or another beer mugs or parts of a pre-war pewter tea service. Many of these are good quality and aesthetically pleasing; however, the variety is limited and most collectors will look to earlier periods. One such is the Arts & Crafts and Art Nouveau period of the late 19th and early 20th centuries. A wealth of decorative and domestic items was produced in the art nouveau style with one British designer, Archibald Knox, being a significant contributor with his designs for the London store, Liberty’s. Items designed by Knox and others bear the ‘Tudric’ mark of Liberty’s and are becoming increasingly collectible. The movement was, however, even more prominent in continental Europe and it is not difficult to find very attractive items from Kayserzinn, Orivit, Urania, WMF (Wurttembergische Metallwarenfabrik) – although one needs to be aware that the latter is still making pewter wares, often to earlier designs – and other German and French makers There are no definitive books on pewter wares during this period, but many on contemporary designs or individual manufacturers, such as Knox and Liberty’s, which do include pewter.
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